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Minor lexical differences and free variation can be noted between Ka'apor people originally from villages of the Turiaçu basin and those from the Gurupi basin. Ka'apor is not spoken by any other known group except as a second language to some Tembé and other ethnically non-Ka'apor dwellers of the Gurupi region dialects of the language are minimally developed. The hyphenated terms Urubu-Caápor and Urubu-Kaápor were introduced by Brazilian indigenists in the 1950s, who were trying to standardize the spelling of native group names in ethnology. The term Urubu, meaning 'vultures,' was evidently applied to the Ka'apor people during the 19th century by their Luso-Brazilian enemies, and that is the etymology given by Ka'apor informants themselves, though they do not refer to themselves by that term when speaking to outsiders.

Kambõ seems to have been borrowed from Portuguese ' caboclo', a term applied to the Ka'apor by most regional Brazilians today, probably of Amazonian origin, and often used by Ka'apor speakers in self-reference when speaking to outsiders. The person can also be identified in the Ka'apor language with awá, which is used to refer to the reflexive self ('one') and to the personal subject in interrogative sentences ('who?') awá is cognate with the uninflected terms for 'person' and 'people' in numerous other Tupí-Guaraní languages. But 'forest dwellers' is actually best expressed by the Ka'apor name for the hunting-and-gathering Guajá, who are their neighbors, which is Ka'apehar. Ka'apor seems to be derived from Ka'a-pypor 'forest-footprints' or 'footprints of the forest.' Another gloss for Ka'apor that has been proposed is 'forest dwellers' ('moradores da mata'). Other names: Urubu, Kambõ, Urubu-Caápor, Urubu-Kaápor, Kaapor. Self-name: Ka'apor or Ka'apór (the apostrophe represents a glottal stop, a sound heard in the first sound of English 'uh-huh' stress in the Ka'apor language as a rule falls on the final syllable). Perhaps because of conflicts with Luso-Brazilian settlers and other native peoples, they engaged in a long and slow migration that took them by the 1870s in Pará across the Gurupi River into Maranhão. The Ka'apor have been originated as a distinctive people about three hundred years ago probably between the Tocantins and Xingu Rivers.

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Alejandro Ibañez also made a short with Lidia Bosch and Dani Rovira in homage his father titled Historias para no Dormir, paying tribute to the popular series of the Sixties usually starred by his grandfather Narciso Ibañez Menta and directed by Narciso Ibáñez Serrador.

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This genuinely mysterious movie was professionally directed by Alejandro Ibañez who pays tribute to his father Narciso Ibañez Serrador, though being an inferior rendition to his classic movie.

The picture benefits itself from impressive location in Manaos, Brazil, and Amazons, including spectacular aerial vistas. Furthermore, special appearance from Jose Carabias, a sympathetic comical actor with long career from the Sixties, and usual performer of Narciso Ibañez Serrador's series : 1, 2, 3 Responda otra vez. The cast gives passable acting, though really unknown, stars Carlos Urrutia, an ordinary secondary actor and Clarice Alves' first feature film, while director/actor Alejandro Ibañez plays the boat captain. It is a terror movie with creepy events, shocking scenes and lots of violence with disagreeable images. In fact, the film produced by Peña Ibañez, is dedicated to their beloved father Ibañez Serrador.

This is a peculiar rendition about a famous 1976 film by Narciso Ibañez Serrador, made by his son Alejandro Ibañez. A frightening movie packing chills, thrills, tension and grisly killings. Then their daughter disappears and things go wrong when occurs several astonishing murders with gruesome and bloody executions. His obsession drags his wife and daughter to the dangerous rainforest. Tomas attempts to find the albino Urubu throughout the deep Amazons. Set in Manaos, it deals with a marriage formed by Tomás : Carlos Urrurtia, his Brazilian wife : Clarice Alves and daughter. This is a version about the relevant cult movie : ? Quien puede matar a un niño ? Or Would you kill a child ?.

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